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Dad came home from France the other week after being there ten months, and we all think the war will be over in a few days ...I am sending two photos, both of me, one of me in a bathing costume in our back yard, while the other is me with some fairies. Towards the end of 1918, Frances sent a letter to Johanna Parvin, a friend in Cape Town, South Africa, where Frances had lived for most of her life, enclosing the photograph of herself with the fairies.On the back she wrote "It is funny, I never used to see them in Africa.

He suggested that a troupe of dancers had masqueraded as fairies, and expressed doubt as to their "distinctly 'Parisienne but Elsie's father told Gardner that he had been so certain the photographs were fakes that while the girls were away he searched their bedroom and the area around the beck (stream), looking for scraps of pictures or cutouts, but found nothing "incriminating".

Gardner believed the Wright family to be honest and respectable.

the fact that two young girls had not only been able to see fairies, which others had done, but had actually for the first time ever been able to materialise them at a density sufficient for their images to be recorded on a photographic plate, meant that it was possible that the next cycle of evolution was underway.

Gardner sent the prints along with the original glass-plate negatives to Harold Snelling, a photography expert.

The girls returned about 30 minutes later, "triumphant".

Elsie's father, Arthur, was a keen amateur photographer, and had set up his own darkroom.Doyle had been commissioned by The Strand Magazine to write an article on fairies for their Christmas issue, and the fairy photographs "must have seemed like a godsend" according to broadcaster and historian Magnus Magnusson.Doyle contacted Gardner in June 1920 to determine the background to the photographs, and wrote to Elsie and her father to request permission from the latter to use the prints in his article.Public reaction was mixed; some accepted the images as genuine, but others believed they had been faked.Interest in the Cottingley Fairies gradually declined after 1921.The Cottingley Fairies appear in a series of five photographs taken by Elsie Wright (1901–88) and Frances Griffiths (1907–86), two young cousins who lived in Cottingley, near Bradford in England.In 1917, when the first two photographs were taken, Elsie was 16 years old and Frances was 9.Two months later the girls borrowed his camera again, and this time returned with a photograph of Elsie sitting on the lawn holding out her hand to a 1-foot-tall (30 cm) gnome.Exasperated by what he believed to be "nothing but a prank", I am learning French, Geometry, Cookery and Algebra at school now.The two girls often played together beside the beck (stream) at the bottom of the garden, much to their mothers' annoyance, because they frequently came back with wet feet and clothes.Frances and Elsie said they only went to the beck to see the fairies, and to prove it, Elsie borrowed her father's camera, a Midg quarter-plate.

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